I can still remember vividly today – when I gave the reason for Abbé Saunière’s success for trafficking in masses to a documentary maker during the hullabaloo over The Da Vinci Code. The reply was: “Why didn't you tell us that before we aired the documentary, only now?” Why? Simply because the Television Station would have used my material and taken all the credit for itself.

Of course, the experts in the history of The French Republic would have a good idea!

Exactly the same thing applies to the identity of the drug(s) behind Judaism and Christianity. I could publicly disclose it on this website today. Again, without receiving any credit and others would use it instead. (Just think, 2,000 years of bunkum instantly exposed, as well as exposing a conspiracy of silence.) I have a sneaking suspicion that this has been an open secret in certain circles for many centuries.

The very same thing applies to Bosch's painting, “The Garden of Earthly Delights”. Documentary from 1980.

The writer and presenter Nicholas Baum, then the Professor of English at the University of Granada, Spain – does – in a roundabout way – provide the meaning of Bosch's painting – that every person is a sinner just for being born – but not in the way Bosch the painter put it across (Bosch used his same trick in his other painting, The Haywain). This was why the painting was not deemed to be heretical.

Therefore, my lips will remain sealed (metaphorically). I have no intention of disclosing any of my information that others will eventually take all the credit for.