Grateful thanks to Patricia Briel for providing permission to use
an English translation of the articles from 'Le Temps' on this website.

 

From 'Le Temps' (Swiss Newspaper), Geneva, 15.3.2004

 
Best-seller 'The Da Vinci Code' is based on a deception

Dan Brown's esoteric thriller, which has now appeared in a French translation after selling 6 million copies in its original English version, is a work of fiction that acknowledges the truth of just two established facts: the existence of Opus Dei and the existence of the Priory of Sion. The problem is that the latter organisation was invented fifty years ago by an anti-Semitic oddball in neighbouring France...

by Luc Debraine
Monday 15 March 2004

The Chief Curator of the Louvre, Jacques Saunière, is found murdered in the museum's main gallery. He is stark naked. His corpse is found inscribed within a circle just like that of the famous drawing by Leonardo Da Vinci known as the Man of Vitruvius. An anagram, as well as a mysterious sequence of numbers, is inscribed on the inlaid parquet floor. Informed of the murder while on a visit to Paris, an American friend of the curator, Robert Langdon, rushes to the scene of the crime. That proves to be a big mistake by this Harvard Professor of Art History: he immediately becomes No. 1 suspect and is forced to flee.

In his flight from the police Robert Langdon, who bears an uncanny resemblance to actor Harrison Ford, takes with him a beautiful young French police cryptographer, Sophie Neveu, who has also been accused of being involved in the violent death of Jacques Saunière. Pursued by a strange police superintendent and an albino monk from Opus Dei, the couple are forced to solve one by one the puzzles left behind at the scene of the crime by the curator just before his death in an effort to shed some light on the truth. And the truth of the matter is that Jacques Saunière is the director of the Priory of Sion, a secret society that, down the centuries, has jealously guarded the secret location of and, above all, the true nature of that relic of all relics: the Holy Grail.

That - in rough outline - is the plot of the 'Da Vinci Code', Dan Brown's fourth novel. A former English teacher, this American author was completely unknown until last spring. Then, after its appearance in the USA in March 2003, his esoteric thriller remained firmly at the top of the best-sellers lists, to the extent of becoming a publishing phenomenon that transcended the usual limitations of its genre: six million copies sold, translated into forty languages (the French version has just been published), not forgetting the film adaptation currently being prepared by director Ron Howard.

Like Mel Gibson, who is raking in tens (soon to be hundreds) of millions of dollars thanks to the runaway success of the 'Passion of Christ', the success of the 'Da Vinci Code' has made Dan Brown a rich man. And, similarly, the novel has triggered seemingly endless controversies as, like Gibson's film, it is based on Apocryphal Biblical texts that undermine Catholic orthodoxy from within. In the USA, the Church is concerned about the best-seller's influence on readers who might forget that it's just a work of fiction – it's a far-fetched story certainly, but it's also well-paced and is far from being stupid (I speak from experience, having read it at a single sitting). The Cardinal of Chicago, Francis George, has accused Dan Brown of exploiting - 'under the cover of erudition' - the taste of the general public for 'conspiracy theories'. Theologians and art historians have also criticised the author for allowing himself to be inspired by questionable religious sources, and for suggesting that Leonardo Da Vinci scattered secret esoteric codes throughout his works.

The fact is that Dan Brown makes only two real claims in the book: that Opus Dei and the Priory of Sion actually exist. There's no problem with Opus Dei, even if the way it's described in the novel as a murderous organisation prone to scarifying mortifications prompted a lively response from the organisation itself, which demanded - unsuccessfully as it turned out - that Dan Brown's publisher withdraw the reference to the Opus Dei from the thriller's factual prologue.

The other 'fact' is more problematic. The American author says he believes in the existence of the Priory of Sion, that it was founded in 1099, that its archives are kept at the Bibliothèque Nationale in Paris, and that its most eminent members have included Newton, Botticelli, Victor Hugo, Da Vinci and even Jean Cocteau.

A simple Internet search after reading the book suggests a very different line of enquiry: that of a clever deception that, in inspiration, is half-religious and half-Royalist. A farrago created in the 1950s by an anti-Semitic oddball, the Priory of Sion has never actually existed outside the imaginations of a small group of devotees of bogus esotericism. It's also a piece of mystification incidentally that first saw the light of day near Annemasse, and whose crazy meanderings pass through the centre of Geneva. Now being used to lend an air of credibility to an international best-seller, the Priory of Sion has never guarded any secrets other than that of its true identity: a gigantic lie.

'THE DA VINCI CODE', Dan Brown, Ed. JC Lattès.


Pierre Plantard, founder of the Priory of Sion, an oddball in search of royal descent

The French fantasist created his own myth using the strange legend of a treasure buried in the environs of Rennes-le-Château.

by Patricia Briel

'A faultless piece of research', a 'learned' book, a 'history lesson': the American popular press has heaped endless praise on 'The Da Vinci Code', Dan Brown's best-seller which was published in the USA one year ago. But if one takes a closer look at the historical references used by the author - a former English teacher and art historian - one starts to question precisely how justified all this praise really is. In fact, Brown tries to pass off as the truth a story invented in its entirety by a French anti-Semitic fantasist who died in February 2000: Pierre Plantard. It's a story that begins in the 1950s in Haute-Savoie, at Saint-Julien-en-Genevois, and which involves the treasure of Rennes-le-Château, the Abbé Saunière, the secret genealogy of the Merovingians, mysterious parchments in code and many other things besides.

'Dossiers Secrets'

In his preface, Dan Brown states: 'The secret society of the Priory of Sion was founded in 1099, after the First Crusade. In 1975, parchments referred to as 'Dossiers Secrets' were discovered at the Bibliothèque Nationale [in Paris - Editor's Note], which mention the names of certain members of the Priory, including Sir Isaac Newton, Botticelli, Victor Hugo and Leonardo Da Vinci'. These events, which Dan Brown presents as the truth, are simply untrue. The Priory of Sion was founded in June 1956 by Pierre Plantard, who at that time was working as a draughtsman at the Chanovin works in Annemasse. As for the 'Dossiers Secrets', they were forged and filed with the Bibliothèque Nationale in Paris by Pierre Plantard in the 1960s. The French journalist Jean-Luc Chaumeil unmasked Plantard's imposture in the 1980s and published several books on the subject. He also collaborated with BBC2 on a TV programme which was broadcast in 1996, and which presented evidence demolishing the whole story. But it would seem that Dan Brown has not taken any account of this. The novelist has also not hesitated to make his heroine Sophie Neveu the descendant of the families Plantard and Saint-Clair (a name that Pierre Plantard adopted in 1975), who themselves were descended from the Merovingians, and who are presented in the novel as the descendants of the marriage of Jesus Christ and Mary Magdalene...

No political influence

Born in Paris in 1920, from 1937 onwards Pierre Plantard set up several fictitious movements of an anti-Semitic and anti-Masonic character, the aim of which was to 'purify and renew' France. Described as an oddball in two French Secret Service reports, he did not however appear to have any political influence. 'Plantard was a sacristan who lost his faith', Jean-Luc Chaumeil told 'Le Temps'. 'The son of a butler, he dreamed of having royal blood, and lived like a hermit. He acted alone and did not have any connection with extremist anti-Semites.' His bragging did however earn him two spells in prison. He was first sentenced at the end of the Second World War for having tried to set up organisations without permission. And in 1953 the Court of Saint-Julien-en-Genevois sentenced him to 6 months in prison for a breach of trust.

In June 1956, Pierre Plantard founded along with some friends the Priory of Sion, an association whose statutes are filed with the Sub-Prefecture of Saint-Julien-en-Genevois and whose registered office is located in Annemasse. There is no historical reference to the existence of any Priory of Sion before that date. According to the founders, the Sion in the name did not relate to Jerusalem but to Mont-Sion, which is very near Geneva. The Priory was set up to defend the rights and liberties of the low-rental housing sector, and there is no hint of any of mysteries of any kind in this organisation, which ceased to exist in 1957.

In the mid 1950s, Pierre Plantard met Noël Corbu, the heir to Abbé Bérenger Saunière of Rennes-le-Château. This was an encounter that was to fire his imagination. Noël Corbu told him the strange story of Abbé Saunière, who was the priest of the small commune at the end of the 19th and the beginning of the 20
th centuries. The parish was poor, but a mysterious influx of money enabled the Abbé to renovate the church and build a villa as well as a tower. This money came from a treasure that the Abbé had discovered in the surroundings of the village using clues contained in parchments found inside one of the pillars of the church when renovation work was being carried out. However, the story of the 'treasure' was just a fantasy dreamed up by Noël Corbu to attract customers to the restaurant that he had opened in the villa. The reality is more straightforward: Abbé Saunière's money came from trafficking in masses, something that earned him suspension from his duties by the ecclesiastical authorities.

Shortly after this meeting, Pierre Plantard started creating his own myth. In the mid-60s, several mysterious documents were lodged with the Bibliothèque Nationale in Paris, collected together under the name of the 'Dossiers Secrets' of Henri Lobineau, a pseudonym. These include, in particular, genealogies of descendants of the Merovingian kings copied from parchments belonging to the Abbé Saunière and suggesting a blood relationship between King Dagobert I and Pierre Plantard; documents relating to the founding of the Priory of Sion in 1099 by Godefroy de Bouillon; and a list of Grand-Masters of the Priory going back to the 12th century, including Leonardo Da Vinci, Isaac Newton, Victor Hugo, Claude Debussy, and Jean Cocteau. All these documents suggest that the Priory of Sion held the key to the treasure of the Abbé Saunière, and that Pierre Plantard was the direct descendant of Dagobert II, who was assassinated in 679. Several of these texts created false trails in Switzerland and Geneva, involving fictitious publishing houses and non-existent Catholic magazines. Jean-Luc Chaumeil subsequently proved that the 'Dossiers Secrets' are in fact forgeries by Pierre Plantard and his accomplice Philippe de Chérisey.

Coded messages

Misled by the contents of the Dossiers, the author Gérard de Sède used them to write a book with Plantard's help. 'L'Or de Rennes', which revealed to the French public the connections between the Priory of Sion and the Abbé Saunière, was published in 1967. The work reproduced the parchments allegedly discovered by the Abbé, including some that might even enable the treasure to be found. Containing coded messages, they refer to Dagobert II and a canvas by Poussin, 'Les Bergers d'Arcadie', which were thought to provide clues to the location of the treasure.

In 1971, following a row with Gérard de Sède about the royalties from his book, Philippe de Chérisey publicly admitted that the parchments were his own forgeries. Plantard subsequently confirmed this to Jean-Luc Chaumeil, but subsequently claimed that these forgeries were actually copies of original parchments. Interest in this matter ebbed from 1975 onwards, but was revived in 1982 with the publication in English of 'Holy Blood, Holy Grail' [sic], an investigation in book form by three British journalists, Henry Lincoln, Michael Baigent and Richard Leigh. This work, which became a best seller in the English-speaking world, accepts the Priory myth and also formulates a bizarre hypothesis: Jesus, married to Mary Magdalene, could have had a child who was born after his crucifixion. According to the authors, this child would have been none other than the first of the Merovingians, and Pierre Plantard would have been his direct though distant descendant. But the deception went too far: wisely, Pierre Plantard never actually admitted that he believed in this divine descent, preferring to remain a 'mere' descendant of Dagobert II. Jean-Luc Chaumeil deplored the appearance of 'Holy Blood, Holy Grail': 'I explained to Henry Lincoln that this whole business was a deception', he says.

In 1983-84, Jean-Luc Chaumeil revealed the troubled past of Plantard, who resigned from the Priory of Sion on 10 July 1984. Though discredited, he made a reappearance in 1989 with a new mythology about the Priory which, according to him, had been founded in Rennes-le-Château in 1681 and not in Jerusalem in 1099. He drew up a new list of the Grand Masters of the Priory, which was to prove his undoing: the list included the name of Roger-Patrice Pelat (an old friend of François Mitterrand) who, at the time of his death, was involved in a financial scandal. In 1993, while investigating this death, investigating magistrate Thierry-Jean Pierre, today a deputy in the European Parliament, ordered Pierre Plantard's apartment to be searched and there found documents certifying that Plantard was the true King of France. After close cross-examination, Plantard admitted his imposture and was let off with a severe reprimand. He never again tried to revive the myth of the Priory of Sion.

Others however have done this for him. Today, according to Jean-Luc Chaumeil, there are about 12 different Priories of Sion!


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